tag:blogger.com,1999:blog-73054572757912912632024-03-13T11:19:06.529-05:00PhotoUTSAPhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.comBlogger1644125tag:blogger.com,1999:blog-7305457275791291263.post-71626826336477721302020-05-08T23:02:00.000-05:002020-05-08T23:02:21.357-05:00Kacee Rigsby submits Barbara KrugerBarbara Kruger uses text in her works to speak on feminism and give precise bold statements through her works. She has very masculine/feminine charged work that speak out about problems in today's society. She uses bold colors like red in her works that to me shows a sense of anger from the things she is speaking on. She creates and speaks on things such as vanity from a man and woman's perspective.<br />
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These images could be very emotionally charged if someone were to take it that way. Suggesting that this artist would like to pull at some heart strings but not offend. Get people to rethink how they live in this society that has been set forth for us.<br />
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artnet.com/artists/barbara-kruger/3<br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-66929412091887620742020-05-08T22:48:00.001-05:002020-05-08T22:48:58.945-05:00Kacee Rigsby submits Francesca WoodmanFrancesca Woodman was a young artist who used black and white photos to show the female body, some where she was still in the frame and some moving in or out of the frame giving a sense of her identity being present and fleeting. Some of her photos are completely bold and tell us that she had a full sense of who she was as a person. Some of her photos seem less confident and less sure of herself, showing signs of self doubt. Each of these versions of herself show her humanity.<br />
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When she uses her own body in these photos, she uses each different part of her body in a new way, to show things of play in her body parts or to make a bold statement. The vulnerability in her photos shows a woman who was incredibly human.<br />
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<a href="http://www.artnet.com/artists/francesca-woodman/3">http://www.artnet.com/artists/francesca-woodman/3</a><br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-19075055257639222452020-05-08T15:12:00.000-05:002020-05-08T15:12:32.303-05:00Kacee Rigsby submits Cindy ShermanCindy Sherman is a diverse photographer who takes on many roles in her works, model, makeup artist, photographer, etc. She makes her works from seeing images on tv, movies and more showing status, youth, gore and more. You wouldn't know just from looking at these images that this is the same person across all of her works. She has done a great job of assuming roles for each of her collections put together.<br />
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In her works she is challenging what we think of gender and identity, sometimes going completely overboard with what we would see as feminine or masculine in an attempt to poke fun at these absurd things we would see as such. Some of her images are much more subtle than others that are right in your face with what she wants to say.<br />
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<a href="http://www.artnet.com/artists/cindy-sherman/">http://www.artnet.com/artists/cindy-sherman/</a><br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-27127587811051574762020-05-08T14:54:00.002-05:002020-05-08T15:12:41.398-05:00Kacee Rigsby submits Gilbert and GeorgeGilbert and George combine photographs with sculptures to create living artwork. Their work addresses social issues, male form, etc. They work boldly to make a statement, and seem to want to be very in your face with their work. Make you pay attention, make you think, make you care about the issues. Their use of bold words make you notice, you can't walk past these artworks without stopping to understand.<br />
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They insert themselves in their art pieces which is a bold move not all artists do. I think maybe they do this to immerse themselves in each issue they are fighting against. They create art for all, fighting for rights of all people, women, men, all races, and working to break norms. They use bold colors and images to bring you into another world that may have existed or may never have. Either way, when looking at these images together you can't help but want to understand their message.<br />
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<a href="https://whitecube.com/artists/artist/gilbert_and_george">https://whitecube.com/artists/artist/gilbert_and_george</a><br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-31946229721498401962020-05-08T14:36:00.002-05:002020-05-08T14:39:25.357-05:00 Kacee Rigsby submits Clarissa SlighIn this set of images called -Re-framing the past- Clarissa Sligh takes an old family album and illustrates the things she grew up with. Her grandparents, brothers, father, mother, etc. She brings them into a different light by writing stories over these seemingly innocent family photos, without which we would have no idea of what is on the other side. She takes these photos that by themselves are one sided because all we would see are smiling faces, or children with their siblings, but she brings a deeper look by telling us things we wouldn't know otherwise.<br />
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Clarissa Sligh uses text over photos to give us extra layers to stories we wouldn't know otherwise. While we could be looking at a photo of a dress, a smiling family, or portraits seeing a person or family who is happy, when we look at the other layers that she has brought a story to it we wouldn't know otherwise.<br />
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Her work is bold and outspoken to the things people may not always let us see. She dives deeper into her life and others to the things we wouldn't know by just looking at them.<br />
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<a href="https://clarissasligh.com/">https://clarissasligh.com/</a><br />
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PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-20631193211785918332020-02-27T12:47:00.001-06:002020-02-27T12:47:21.005-06:00Kacee Rigsby submits Joe McnallyJoe Mcnally photographs many things, dance, fashion, healthcare, and the photos he produces are beautiful. They have a clarity to them that brings out every detail of the subject. I especially appreciate the dance photos, he captures these movements in a moment in time, frozen dance moves that may look like someone flying, floating, and it stops time for even just a moment.<br />
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He produces beautiful portraits of all different kinds of people, the lighting that he uses highlights the subject wonderfully. The focal points he uses paired with the lighting brings your eye in to a spot in the photo that emphasizes what is important information.<br />
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He uses bright bold colors when shooting fashion ads, and equally as beautiful subjects in some high fashion pieces. He has strong bodies of work on all fronts. He seems to be a very well rounded photographer.<br />
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https://portfolio.joemcnally.com/index<br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-12248255590129190162020-02-20T18:07:00.000-06:002020-02-20T18:07:41.981-06:00Kacee Rigsby submits Lee JeffriesLee Jeffries is a self taught photographer who stumbled upon his passion/career for photography by coming across a homeless woman and hearing her story. He continued from that day forward taking their photos to tell their stories and raise money.<br />
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His images are a mix of black and white images as well as color. They show amazing detail in these faces, telling stories with each wrinkle or lack there of. Their eyes stare right through the photo and into yours. The way he takes and edits these photos seems to be done with such a purpose to tell each story in as much detail as you can, just by showing the affects of the world on their faces.<br />
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The black and white images show each speck of dirt and give enormous detail to the subject. Some have a sadness to them, some show longing in their eyes, but they all show these incredibly human traits that we may not always speak of. The back grounds of a lot of these photos are plain black, which pulls our eyes into the subject so that we may not focus on anything but. He is telling us exactly where he wants us to focus.<br />
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<a href="https://500px.com/leejeffries">https://500px.com/leejeffries</a><br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-19898946601677903122020-02-18T19:18:00.002-06:002020-02-18T19:18:45.836-06:00Chris Gamez submits Arthur Tress<br />
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<img alt="Image result for arthur tress boot fantasy" height="200" src="https://media.getty.edu/museum/images/web/enlarge/35299201.jpg" width="189" /> <img alt="Image result for arthur tress leathermen" height="200" src="https://stacks.stanford.edu/image/iiif/gv748dw3094%2Fgv748dw3094_00_0001/full/!400,400/0/default.jpg" width="163" /></div>
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<span style="font-family: "Arial",sans-serif;">“Boot
Fantasy” "2 Leather Guys in Pier Doorways, NY"<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Chris Gamez submits Arthur Tress<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Arthur Tress is an American artist and
is most known for his fantastical photos that use both staging and repurposing
found objects. One of his most notable series of works is his “Gay Fantasies”
which explore the concepts and dynamics of sexual kinks with male models. <o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Tress’s “Gay Fantasies” focus on homoerotic
imagery by using male models, often with two males in a dominant or submissive
role, except for a few exceptions such as “Boot Fantasy” or “Superman Fantasy”
where the model is in one of the mentioned roles. The beauty that shows throughout
his series is how the subject of the fantasies are shown, as they are often
taboo subjects to mainstream conversations. Tress doesn’t shy away from showing
the intimacy and connection with his men, even in stark contrast to the acts being
depicted. Often what makes these acts of S&M culture erotic is the
chemistry and bond with the men because of the level of trust that they have in
relinquishing themselves to be used in such a way. Tress also does an incredible
job at also showing the more unique fantasies that men have with some of his
works such as “Man Peeing into Boot” and “Feather Fantasy”.<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">What fascinates me with Tress’s work is
how honest he is about the sexual fantasies he displays along with the men who
help depict the images. I want to be able to emulate the level of reality he
has about not shying away from the taboo subjects.<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Website:
https://exhibits.stanford.edu/tress<o:p></o:p></span></div>
<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-83802818985613018452020-02-13T12:13:00.002-06:002020-02-13T12:13:39.483-06:00Kacee Rigsby submits Marc AdamusMarc Adamus is a landscape photographer that has traveled all over the world to capture images. the images he captures are insanely beautiful and transport you to a place you may have never been, feeling like a fantasy world he captures his landscapes in a way that makes them seem almost mystical.<br />
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He spares no expense in adventure when it comes to these photographs, he himself has to trek long ways to capture these images. He leaves them in color instead of black and white and it gives them a different feel of complete consumption. I myself want to end up in these places.<br />
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The way he captures these places makes them feel unreal, simply because of the quality of work he is producing. They are clean clear images that show every detail possible. It must take a lot of will to be able to capture and produce something so beautiful. He is taking everyday things we may not see and turning them into something much larger.<br />
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<a href="https://www.marcadamus.com/">https://www.marcadamus.com/</a><br />
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PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-33672998274835576482020-02-08T21:38:00.000-06:002020-02-08T21:39:15.103-06:00Kacee Rigsby submits Olivia BeeOlivia bee is a young photographer who works in many different areas, editorial, personal, fine art. She has many collections of photos, some of celebrities we know and some of everyday people. She uses different lighting but most of it looks natural versus studio lighting in most collections.<br />
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In her collection kids in love it shows different ages of people all doing things kids would do. Sneaking out, cuddling with another, smiling faces, in this collection it isn't always a romantic love some of these just show kids in love with life. Showing the people in love with life just at the beach or having fun or just smiling shows a freedom from other people that we don't always get. We feel like "love" entails another person of romantic intentions, it could just be loving our self or loving our friends or simply loving our life. She does a beautiful job of showing the other side of life.<br />
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Some of these photos have objects obscuring them, blurs, colors. Some showing that life can be blurry in the midst of fun, or showing that in moments it goes by so quickly when you are having fun.<br />
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<a href="http://oliviabee.com/kids-in-love/kids-in-love-2/">http://oliviabee.com/kids-in-love/kids-in-love-2/</a><br />
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PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-59534991381038482522020-02-03T23:33:00.000-06:002020-02-03T23:33:42.208-06:00Michelle Falcon Submits Sarah Sudhoff
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<span style="font-size: 12pt;">Sarah Sudhoff is an American photographer based in San
Antonio. Her artwork themes range from gender, personal experience, and science.
The two photos below are from her series </span><i style="font-size: 12pt;">Supply and Demand, </i><span style="font-size: 12pt;">2013</span><i style="font-size: 12pt;">. </i><span style="font-size: 12pt;">These
pieces are close-ups of her video, Surrender, that she staged of a woman
holding frozen breastmilk while it melts in her arms. </span><span style="font-size: 12pt;">The set is well lit by what looks like natural light from a window behind the woman, and the contrast of the frozen milk on the skin really brings it into attention. </span><span style="font-size: 12pt;">The breastmilk is failing
at its purpose to nourish infants as it drips down to the floor. It is revealed in Sudhoff’s artist statement
that she had a problem with not being able to supply enough milk for her baby
son, failing to do her motherly duties. The photos allow you to focus on the
subject since the set up is clear of distractions. They tune in on the action
of the milk dripping down her arm and not who the person is holding the frozen milk. </span></div>
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<span style="font-family: "Times New Roman",serif; mso-fareast-font-family: "Times New Roman";"><a href="https://www.sarahsudhoff.com/supplydemand#0"><span style="color: blue;">https://www.sarahsudhoff.com/supplydemand#0</span></a></span></div>
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-61861444441800046032020-02-02T22:43:00.001-06:002020-02-02T22:43:15.381-06:00Chris Gamez submits Marilyn Minter<br />
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<span style="font-family: "Arial",sans-serif;"><span style="mso-tab-count: 1;"> </span></span><img alt="MarilynMinter_WangechiGold5" height="200" src="http://marilynminter.net/dev/wp-content/uploads/2012/05/MarilynMinter_WangechiGold5-e1338581530581.jpg" width="133" /><span style="font-family: Arial, sans-serif;"> </span><img alt="Image result for marilyn minter mud bath" height="222" src="https://images.curiator.com/images/t_x/art/2a07fdb8eec8cb1792926e0d3b29dae4/marilyn-minter-mud-bath.jpg" width="320" /></div>
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<span style="font-family: "Arial",sans-serif;"><span style="mso-tab-count: 1;"> </span><i>Wangechi Gold 5<span style="mso-tab-count: 3;"> </span>Mud bath<o:p></o:p></i></span></div>
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<span style="font-family: "Arial",sans-serif;"><span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 2;"> </span>Chris Gamez submits Marilyn Minter<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">Marilyn Minter is a New York based
artist who has been featured in many solo and group exhibitions across the
country and even internationally. Minter is recognizable for her work on female
body parts, usually their mouths or feet, covered my makeup, jewelry, or
unknown slimes and liquids.<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">In one of her exhibitions in New York at
Salon 94, Minter experiments with “Pathology of Glamour”, which is an
examination at women’s strive for perfection and how she subverts desire by
focusing in on her subjects. With some pieces such as <i>Mud bath</i>, Minter
mocks how modern advertisements often fetishize models by focusing on a main body
part, in this piece she focuses on a woman’s foot. The photo has a clashing theme
due to the contrast of the woman’s stylized pose in a heel being a regular image
for advertisement. What makes this contrasting is that the foot is positioned
in a three quarters view from the back of the foot in a style that is almost reminiscent
of looking over a shoulder, like sneaking a glance.. <i>Mud bath</i> was also
featured in her billboard collection that deals with this </span><span style="font-family: Arial, sans-serif;">fetishizing</span><span style="font-family: Arial, sans-serif; text-indent: 0.5in;"> more
direct and head on. Other pieces include </span><i style="font-family: Arial, sans-serif; text-indent: 0.5in;">Crystal Swallow</i><span style="font-family: Arial, sans-serif; text-indent: 0.5in;"> and </span><i style="font-family: Arial, sans-serif; text-indent: 0.5in;">Glazed</i><span style="font-family: Arial, sans-serif; text-indent: 0.5in;">
which focus on a woman’s mouth and eyes.</span></div>
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<span style="font-family: "Arial",sans-serif;">Minter’s work is beautiful in that her
subjects are presented in a way that is glamorized but also suggest a deeper,
darker meaning. Minter’s work was introduced to me by a professor comparing my
artwork with her photos. My interest was piqued, and I soon became fascinate by
her unique glamorization of fetishization, especially in pieces such as <i>Satiated</i>,
which focuses on a woman with a pearl necklace spilling from her mouth, and <i>Wangechi
Gold 5</i>, which focuses on liquid gold spilling from a woman’s mouth.<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">I am deeply interested in how Minter’s
color pops with the glamorization and her subject matter. The overt sexual
connotation in the photos is fascinating to see depicted and is something I
would like to explore myself. Marilyn Minter is defiantly an artist for me to
observe.<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Website:
<a href="https://www.marilynminter.net/bio/">https://www.marilynminter.net/bio/</a><o:p></o:p></span></div>
<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-41307736012253254622020-01-30T22:16:00.002-06:002020-01-30T22:16:36.103-06:00Kacee Rigsby submits Diane SaginerDiane Sagnier is a photographer that uses natural light in her photos beautifully. She has many different collections some in fashion, some in portraits and some that make statement pieces such as the two photos I will display below. These statement pieces tell us more in each photo. The femen piece is women taking back their power that men have taken away from us.<br />
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In the femen piece she has desexualized these women by making it about strength. So as much as she is a wonderful photographer she also has a message she is putting out into the world. Each of these photos is taken beautifully, with great lighting and such clarity that bring out important details in each photo.<br />
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She uses light in different ways to highlight faces and or parts of the human body to make for beautiful photos. She seems to have a way with people, so in turn they are that much more comfortable with her and can let their true personality show in these photos.<br />
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<a href="http://www.dianesagnier.com/?page_id=64&cat=portraits">http://www.dianesagnier.com/?page_id=64&cat=portraits</a><br />
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PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-87752824034366637102020-01-30T21:24:00.002-06:002020-01-30T21:24:49.675-06:00Kacee Rigsby submits Sylvia Grav<div class="separator" style="clear: both; text-align: center;">
Sylvia Grav uses photographic manipulation to create dream like and or nightmarish photos. Her photos show more than just dreamlike or nightmare states, they show the emotion one might feel when stuck in said situation (walking through a living nightmare or stuck in a dream). </div>
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Most images I see from this artist are done in black and white which give the dreamlike state a much more real representation. It pulls you into the photo as if it was happening to you, and can make you feel the terror one might feel if trapped in a nightmare. The black and white also brings out the dark and light elements of each photo beautifully, and feels as though it may not all be a bad thing.</div>
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In some photos she manipulates bodies to where they look bent and or demonic, which adds a deeper feel to the nightmare quality. Looking over her work it makes me think maybe these people started off stuck in dreams that were pleasant but the more they freaked out about being stuck in a dream it slowly became a nightmare. </div>
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<a href="https://www.flickr.com/people/silviabmx/">https://www.flickr.com/people/silviabmx/</a></div>
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-17647397049057143242020-01-30T19:50:00.000-06:002020-01-30T19:50:25.842-06:00Chris Gamez submits Anna Gaskell<br />
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<i><span style="font-family: "Arial",sans-serif;">Untitled
No. 4 (</span></i><span style="font-family: "Arial",sans-serif;">from <i>Wonder
series)</i><span style="mso-tab-count: 2;"> </span><i>Untitled No.
6 (</i>from<i> Wonder series)</i><o:p></o:p></span></div>
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<i><span style="font-family: "Arial",sans-serif;"><span style="mso-tab-count: 4;"> </span></span></i><span style="font-family: "Arial",sans-serif;">Chris Gamez submits Anna Gaskell<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">Anna </span>Gaskell<span style="font-family: Arial, sans-serif;"> is an American artist who
focuses primarily in photography and deals with a range of similar themes and
subjects. She mainly focuses on narratives and themes around preadolescence girls and </span>fairy tales<span style="font-family: Arial, sans-serif;">, which is most exemplified by Gaskell’s </span><i style="font-family: Arial, sans-serif;">Wonder</i><span style="font-family: Arial, sans-serif;">
series. <o:p></o:p></span></div>
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<i><span style="font-family: "Arial",sans-serif;">Wonder</span></i><span style="font-family: "Arial",sans-serif;"> is a series Gaskell created and displayed in her first
solo exhibition in 1997 and focuses on different girls, all portraying Alice
from Lewis Carol’s novel, <i>Alice in Wonderland</i>. The reasoning behind the use
of multiple girls and different sized images is so Gaskell could portray
Alice’s rapidly altering body size and forms through her journey. Another
reasoning is how in Gaskell’s narrative, all the girls exist in a narrative
timeline where there is no past or future event, only the present being
witnessed by the viewers across multiple images.<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif;">The use of a fairy tale as a narrative along
with recreating said narrative is fascinating to me. It’s always interesting to
see how each artist’s depiction of a different idea, and the way </span>Gaskell<span style="font-family: Arial, sans-serif;"> depicts
Alice’s adventure and transformation through the photo size variations is not
that unique, it is quite effective for a visual medium. What is unique and even
original is the use of different models portraying the same Alice. <o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Another interesting variable is her
concept of a narrative stuck in a single, present moment. While this may not be
easy to read, this was Anna Gaskell’s first exhibition and she has grown as an
artist since then. With some reworking and a clearer emphasis on the reasoning
of multiple Alice’s present together, this series could become an even more
unique series that is quite unique on narrative perspective.<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Overall, Anna Gaskell has captivated my
imagination with her unique exploration of time, narrative, and overall
depiction of recognizable characters and stories. Her depiction of young women
is unique and adds an element of creepiness.<o:p></o:p></span></div>
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<span style="font-family: "Arial",sans-serif;">Website:
<a href="https://www.guggenheim.org/artwork/artist/anna-gaskell">https://www.guggenheim.org/artwork/artist/anna-gaskell</a><o:p></o:p></span></div>
<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-7151176226746415412018-05-03T01:43:00.000-05:002020-01-06T09:08:21.723-06:00Sylvia Gutierrez reviews Eugene Richards
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<br />
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<span style="font-family: Times, Times New Roman, serif; font-size: small;"> I actually had the the opportunity to experience in person
the temporary exhibition <i>The Run-On of</i>
<i>Time</i> of the American photographer Eugene Richards in the Nelson-Atkins Museum
of Art in Kansas City, Missouri. This exhibit covers his career as a photojournalist and documentary photographer
from 1968 to the present, the collection includes 146 photographs, 15
books, and selected videos. After refusing the draft of the Vietnam War,
graduating from Northeastern University, learning large-format photography
alongside Minor White at MIT and later working as a health care advocate in
rural Arkansas, Richards finally returned to Dorchester and began to document
the changing, racially diverse neighborhood where he was born. Over the past fifty
years his oeuvre has consisted of very complicated and controversial topics
such as poverty, emergency medicine, drug addiction, cancer, mental illness,
the impact of war on veterans and their families, caring for the elderly, and
the depopulation of rural America. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="mso-bidi-font-style: italic;"><span style="font-family: Times, Times New Roman, serif; font-size: small;"><span style="mso-tab-count: 1;"> </span>In an interview with James
Estrin about this current exhibit, Eugene Richards confessed to the fact the he
never thought of his work as a whole to be as rough as it really is, “I’ve
lived this life, met these people”. He was never trying to just capture the bad
aspects of these neighborhoods, rather he was attempting to reveal something
true about their lives and their humanity. Although at times, one may believe
that we are at lowest lows, but even then, there is still joy and the good
times in which we should not overlook regardless of how simple that one moment
is. In <i>Grandmother, Brooklyn, New York, </i>Richards illustrates to the
audience those wonderful moments of life. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-indent: .5in;">
<span style="font-family: Times, Times New Roman, serif; font-size: small;"><span style="mso-bidi-font-style: italic;">Furthermore, just like Anthony Francis (whom we had at UTSA as a visiting
artist), Richards is very conscious of what it means to go into someone’s
house, into their privacy, and capture those very personal moments in pictures
as we can see in <i>Sgt. Jose Peque</i></span><i><span style="mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">ñ</span>o with his mother, Nelida
Bagley. West Roxbury, Mass</i></span><span style="mso-bidi-font-style: italic;"><span style="font-family: Times, Times New Roman, serif; font-size: small;"> and in <i>Crack
Annie, New York City.</i> Ultimately, Richards’s life work illuminate personal
struggles that might otherwise go unnoticed on the day-to-day, with the hope
that his art might spark conversations on how we should care for one another as
human beings.</span><o:p></o:p></span></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-50Vh3ur2hmY/WuquebbDFtI/AAAAAAAAIko/z68813TM0YEmu-SmKBTJxLpTLO6XwlqaACLcBGAs/s1600/Richards_grandmother.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="884" data-original-width="1600" height="220" src="https://4.bp.blogspot.com/-50Vh3ur2hmY/WuquebbDFtI/AAAAAAAAIko/z68813TM0YEmu-SmKBTJxLpTLO6XwlqaACLcBGAs/s400/Richards_grandmother.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: xx-small;"><em style="text-align: start; text-size-adjust: auto;">Grandmother, Brooklyn, New York,</em><span style="text-align: start; text-size-adjust: auto;"><br />1993<br />Gelatin silver print</span></span></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-_hLLA3TJlbA/Wuquem7DW4I/AAAAAAAAIks/C8RS04um9bUeqK-VKl7nVXuKxLKu6au6QCLcBGAs/s1600/Sgt.%2BJose%2BPequeno%2Bwith%2Bhis%2Bmother%252C%2BNelida%2BBagley.%2BWest%2BRoxbury%252C%2BMass.%252C%2B2008..jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1065" data-original-width="1600" height="265" src="https://4.bp.blogspot.com/-_hLLA3TJlbA/Wuquem7DW4I/AAAAAAAAIks/C8RS04um9bUeqK-VKl7nVXuKxLKu6au6QCLcBGAs/s400/Sgt.%2BJose%2BPequeno%2Bwith%2Bhis%2Bmother%252C%2BNelida%2BBagley.%2BWest%2BRoxbury%252C%2BMass.%252C%2B2008..jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: xx-small;"><i>Sgt. Jose Peque</i><i style="text-align: start; text-indent: 48px;">ño with his mother, Nelida Bagley. West Roxbury, Mass</i>2008<br style="text-align: start;" /><span style="text-align: start;">Gelatin silver print</span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-9nEYRl9wxkY/WuqueDdnwnI/AAAAAAAAIkw/yz3rK6dF-5sg26l2e1iAYbf5UW6xuV6fQCEwYBhgL/s1600/201101540050-1920x1061.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="885" data-original-width="1600" height="220" src="https://2.bp.blogspot.com/-9nEYRl9wxkY/WuqueDdnwnI/AAAAAAAAIkw/yz3rK6dF-5sg26l2e1iAYbf5UW6xuV6fQCEwYBhgL/s400/201101540050-1920x1061.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: xx-small;"><em style="text-align: start; text-size-adjust: auto;">Crack Annie, New York City</em><span style="text-align: start; text-size-adjust: auto;"><br />1988<br />Gelatin silver print</span></span></td></tr>
</tbody></table>
<!--EndFragment--><br /><br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com1tag:blogger.com,1999:blog-7305457275791291263.post-507440381361635112018-05-02T23:42:00.001-05:002020-01-06T09:08:21.029-06:00Sylvia Gutierrez reviews Annette Messager
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
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<span style="font-family: Times, Times New Roman, serif; font-size: small;">French visual artist, Annette Messager,
is mainly know for her installation oeuvre as she utilizes a number of
different mediums such as dead animals, stuffed toys, puppets, prints, various
textiles (generally veil), drawings and most importantly, photographs.
Nevertheless, photography became the focus of her body of work in 1961 when she
won a Kodak international photography competition. Since then, Messager molds
photography into her body of work in very unique formats, as in most cases, she
creates a cohesive duality between her photographs and her installations as
seen with <i>Mes Voeux</i> <i>(My Vows)</i> in
1991. Messager suspended from strings hundreds of framed photographs of
individual body parts, <span style="color: black;">fragmenting the human body and having the viewer consider each piece
on its own alongside the unified body of work; a theme which appears repeatedly
throughout her work. The body parts in the photographs range from male to
female, old to young, attractive to unsightly. When placing them in that
isolated format, the viewer is made to question and consider why certain body
parts were placed here or there. Society has accustomed us to make associations
to certain body parts to have sexual or psychological connotations, yet Messager
is here to break those associations through her collages.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-indent: .5in;">
<span style="color: black; mso-bidi-font-family: "Helvetica Neue";"><span style="font-family: Times, Times New Roman, serif;"><span style="font-size: small;">In a like manner, Messager utilizes the aesthetic
of collaging to explore issues relating to the body, identity, sexuality and femininity.
Investigating in depth what it means to be a woman and the myths, stigmas and
standards of beauty that surround that role. In another of Messager’s body of
work called <i style="mso-bidi-font-style: normal;">Mes Jalousies (My Jealousies)
</i>in (1972), she looked at plastic surgery as something that society has now
found a necessity or requirement for women to be seen as beautiful. In <i style="mso-bidi-font-style: normal;">Mes Jalousies, </i>she presents a series of portraits
of young, beautiful women in which she has then taken it upon herself to
scribble in black ink to create wrinkles, crows’ feet, blemishes on their
faces, causing them to appear cross-eyed, as well as blacking out individual
teeth all for the purpose of prematurely aged them and contradicting that standard or beauty placed upon women.</span><o:p></o:p></span></span></div>
<!--EndFragment--><span style="font-family: Times, Times New Roman, serif;"><br /></span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-vT58gJa9ioI/WuqR1NIWhhI/AAAAAAAAIkM/UI0Nw5MCxHIb7mB3KGJ4GS2pWpJck_T4gCEwYBhgL/s1600/56-187206-47367938-3876015348-z.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="334" data-original-width="334" height="320" src="https://3.bp.blogspot.com/-vT58gJa9ioI/WuqR1NIWhhI/AAAAAAAAIkM/UI0Nw5MCxHIb7mB3KGJ4GS2pWpJck_T4gCEwYBhgL/s320/56-187206-47367938-3876015348-z.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><i>Mes Voeux </i><i style="font-family: Calibri; text-align: start; text-indent: 48px;">(My Vows)</i><span style="font-family: Calibri; text-align: start; text-indent: 48px;"><br />1991</span></span></td></tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-x8II1K58K6o/WuqR1aIJysI/AAAAAAAAIkQ/zZ0enaWJdIcZzp-zv4PHSghHnfA-GKghgCEwYBhgL/s1600/432x576x2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="576" data-original-width="432" height="320" src="https://4.bp.blogspot.com/-x8II1K58K6o/WuqR1aIJysI/AAAAAAAAIkQ/zZ0enaWJdIcZzp-zv4PHSghHnfA-GKghgCEwYBhgL/s320/432x576x2.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: xx-small;">closeup: <i>Mes Voeux </i></span><span style="font-family: Calibri; font-size: xx-small; font-style: italic; text-align: start; text-indent: 48px;">(My Vows)</span><span style="font-family: Calibri; font-size: xx-small; text-align: start; text-indent: 48px;"><i> </i>1991</span></td></tr>
</tbody></table>
<br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-PjZWOWVsqqM/WuqR1fBQUMI/AAAAAAAAIkU/CC5XVy98n3UE3Mb8WHBTky_WUL3ZaeO0gCEwYBhgL/s1600/mes-jalousies1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="400" data-original-width="346" height="320" src="https://3.bp.blogspot.com/-PjZWOWVsqqM/WuqR1fBQUMI/AAAAAAAAIkU/CC5XVy98n3UE3Mb8WHBTky_WUL3ZaeO0gCEwYBhgL/s320/mes-jalousies1972.jpg" width="276" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><i style="font-family: Calibri; text-align: start; text-indent: 48px;">Mes Jalousies (My Jealousies)</i><span style="font-family: Calibri; text-align: start; text-indent: 48px;"><br />1972</span></span></td></tr>
</tbody></table>
<div>
<br /></div>
PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-86979379373706717432018-05-02T22:29:00.000-05:002020-01-06T09:08:22.093-06:00Sylvia Gutierrez reviews Thomas Lang
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
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<div class="MsoNormal">
Thomas Lang is a French photographer whom began his artistic
career by basically exploring all that he could like the theater, web, cinema
and animal documentaries. It was not until 2008 when he decided to specialize
as an independent photographer. Although his primary focus is mostly commercial
photography, his travels have led him to work with different cities and
observe/capture the interaction that each city has with its inhabitants and
visitors. Lang explores the world of fine art photography by going through the analogue
methods versus digital. By using film, he reimagines the tradition of a contact
sheet through his series <i>Gestalts</i>, a German word that translates to
“shape” in English. By using the layout of the contact sheet, Lang captures a
single subject that has been then broken into a mosaic-like compositions of 36
images or creating fractured versions of the subject. <o:p></o:p></div>
<div class="MsoNormal">
<span style="mso-tab-count: 1;"> </span>This
entire process is extremely meticulous and Lang achieves it beautifully. The
development of one image, he had to anticipate the distribution of the frame on
the contact sheet and determine the angle he had to take for each of the 36
photographs, as well as the order in which he had to realize his shots. Everything
had to be planed beforehand, for if he failed at one point, the final composition
would not seem as cohesive. This is where the human brain is quite impressive. Individually,
each exposure is its own abstracted element but when placed correctly together,
despite the few deliberate distortions, our brain takes in this optical
illusion and manages to create a real and cohesive “shape”. Similar to Patrick-Bailly-Ma<span style="mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">î</span>tre-Grand’s
periphotography within his series <i style="mso-bidi-font-style: normal;">Fromol’s
Band, </i>Lang creates an almost cylindrical motion throughout his images as
the viewer is allowed to observe the scene or subject from multiple angles
through construction and a deconstruction which our minds partake. <o:p></o:p></div>
<!--EndFragment--><br /><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-QpVOniusySo/WuqBKX0ZT5I/AAAAAAAAIj0/XF5xenA20rscdSELhQvI2R3Z7iVG_TongCLcBGAs/s1600/fb23cef6-5b2d-4f45-ab66-ad29ddf7835c.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1440" data-original-width="1440" height="400" src="https://1.bp.blogspot.com/-QpVOniusySo/WuqBKX0ZT5I/AAAAAAAAIj0/XF5xenA20rscdSELhQvI2R3Z7iVG_TongCLcBGAs/s400/fb23cef6-5b2d-4f45-ab66-ad29ddf7835c.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Gestalt </i>series</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-C1LtVkcaVZw/WuqBKoQmlXI/AAAAAAAAIj4/54uBGnhHgp8h9W4Kd4iipaqweTh-bxSGQCLcBGAs/s1600/71e44573-4bce-4990-9de5-0afb1c58b242.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1527" data-original-width="1440" height="400" src="https://1.bp.blogspot.com/-C1LtVkcaVZw/WuqBKoQmlXI/AAAAAAAAIj4/54uBGnhHgp8h9W4Kd4iipaqweTh-bxSGQCLcBGAs/s400/71e44573-4bce-4990-9de5-0afb1c58b242.jpg" width="376" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-size: 12.8px;">Gestalt </i><span style="font-size: 12.8px;">series </span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="692" data-original-width="660" height="400" src="https://2.bp.blogspot.com/-CngSkmubEUo/WuqBJr8WMvI/AAAAAAAAIjw/Ac_cvp8rLJcjyKXo9O-UNg4RJOJrJnCnACLcBGAs/s400/gestalt.jpeg" style="margin-left: auto; margin-right: auto;" width="381" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-size: 12.8px;">Gestalt </i><span style="font-size: 12.8px;">series</span></td></tr>
</tbody></table>
PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-32999741268511587982018-05-02T18:36:00.001-05:002020-01-06T09:08:20.484-06:00Jessica Hawkins reviews Brassaï Gyula Halász was born in Hungary and rose to international fame after he moved to Paris in the interwar period, changing his name to Brassaï. He was a Hungarian-born French photographer but also a poet, draughtsman, and sculptor. He was many things but mainly known for his dramatic photographs of Paris at night. He associated with artists such as Pablo Picasso, Joan Miro, Salvador Dali, and the writer Henry Miller. It's funny because he actually originally hated photography only using it in his journalistic assignments, but then began to love it's specific aesthetic. His early photographs focused on the nighttime world of Montparnasse the district in Paris known for its artists and streetwalkers.These were published in a book Paris de Nuit which got him attention because of the sometimes scandalous subject matter, but his next book , Voluptes de Paris made him internationally famous. <div>
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<img alt="Image result for brassaï photography" height="400" src="https://i.pinimg.com/736x/3c/55/e3/3c55e35a11b005c8a17eb63ff1f25992--brassai-photography-collage.jpg" width="306" /> <img alt="Image result for brassaï photography" height="400" src="https://static1.squarespace.com/static/50e641dfe4b03d95627e64d2/t/54074c48e4b0a69dedc9300c/1409764424511/" width="255" /></div>
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<img alt="Related image" height="200" src="https://i.pinimg.com/236x/8d/2e/fe/8d2efee890b1e4b23d2771febbed51e2--brassai-vintage-paris.jpg" width="153" /> <img alt="Image result for brassaï photography" height="180" src="https://i.ytimg.com/vi/ng7aTRZpQXc/maxresdefault.jpg" width="320" /> <img alt="Related image" height="240" src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRwwQIrT0oXuDKnJlcZ27Llakl2Vze7AMbuWakOGNTlctSmcsXk" width="320" /> </div>
PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-55646543367320290012018-05-02T18:17:00.001-05:002020-01-06T09:08:21.163-06:00Jessica Hawkins reviews Abbas Attar<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>
Abbas Attar was an acclaimed French- Iranian photographer. He specialized in major political and social coverage. He was and Iranian transplanted to Paris and dedicated his work to coverage of the developing southern nations. His work has been published in world magazines and included wars and revolutions in Biafra, Bangladesh, Ulster, Vietnam, the Middle East, Chile, Cuba, and South Africa. He also published numerous books, collecting his photos in a diary format. His photos seem to display a hidden narrative that he is known as a writer working with light as his medium.<br />
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><img alt="Image result for abbas attar photography" height="263" src="https://loeildelaphotographie.com/wp-content/uploads/2016/02/47a0425a2e37020c3865d15279212e29.jpg" width="400" /> <img alt="Image result for abbas attar photography" height="213" src="https://i.pinimg.com/originals/89/ca/08/89ca08e8aac94154293b1759a2d4ca53.jpg" width="320" /> <img alt="Image result for abbas attar photography" height="242" src="https://i.pinimg.com/originals/b6/76/b8/b676b8157579ec303427bb080a604acd.jpg" width="400" /><br />
PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-72013665387194364492018-05-02T18:06:00.002-05:002020-01-06T09:08:21.787-06:00Jessica Hawkins reviews Elliott Erwitt<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a>Elliott Erwitt is a French- American photographer. He was born in Paris but later moved to the United States and studied photography and film. He moved back to Europe while in the US army and soon began his photography career. He became famous as a documentary photographer and gain critical acclaim at his ability to capture everyday life. This caused him to become a successful advertising photographer and his easy going approach to getting the pictures. His work was influenced by meeting the famous photographers Edward Steichen, Robert Capa, and Roy Stryker.<br />
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a> <img alt="Related image" height="265" src="https://a.1stdibscdn.com/archivesE/upload/a_215/a_642062/12098_ElliottErwitt_HighRes_l.jpg" width="400" /><br />
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><img alt="Image result for Elliott Erwitt photographs" height="266" src="https://timedotcom.files.wordpress.com/2011/05/par42367.jpg?quality=85&w=838" width="400" /> <img alt="Image result for Elliott Erwitt photographs" height="400" src="https://www.phaidon.com/resource/provence.jpg" width="273" />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-85785431019639869262018-05-02T17:51:00.002-05:002020-01-06T09:08:22.072-06:00Jessica Hawkins reviews Candida Höfer<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a>Candida Hofer is a German artist that studied at the Art Academy of Dusseldorf from 1973-1982. She first began her studies in film and then moved into her first photography classes. In her beginning work she addressed the visual changes in German society brought about by migrant workers from Turkey which got her interested in the impact of the built environment on people. So she turned to public and semi-public spaces from iconic to the mundane architecture that we pass everyday without noticing. She came to the conclusion that paradoxically the impacts of architecture are most intensely present when people are not in the image. She examines the contradictions between intention and actual use, and historical change. They lead the viewer to examine and reflect upon what spaces do to us and what we do to spaces.<br />
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<img alt="Image result for candida höfer photography" height="330" src="https://payload.cargocollective.com/1/1/63512/802470/Museo-Magazine-Candida-Hofer-Masonic-Temple-PhiladelphiaI-V-2007_800.jpg" width="400" /> <img alt="Image result for candida höfer photography" height="397" src="https://www.lempertz.com/typo3temp/_processed_/csm_Lempertz-1100-816-Contemporary-Art-Candida-Hoefer-Bibliotheque-Sainte-Genev_35efcf379d.jpg" width="400" /> <img alt="Image result for candida höfer photography" height="276" src="https://theredlist.com/media/database/photography/contemporaine/architecture/candida-hofer/001-candida-hofer-theredlist.jpg" width="400" /><br />
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PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-47763003850420255562018-05-02T17:39:00.001-05:002020-01-06T09:08:20.877-06:00Jessica Hawkins reviews Michael SchmidtMichael Schmidt was a German photographer who just recently died after winning the Prix Pictet award for his epic series exploring global food production. He used a simple 35 mm camera and a few rolls of film to capture his images. He usually always shot in black and white to capture the essence of what he was looking at and the images at first look simple without the usual heavy editing done post production we are used to in images these days, but they have a certain air of mystery about them that are alluding. In his photographs it is said that he does not accuse, just reveals, and the interpretation is left to the viewer.<br />
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><img alt="Image result for michael schmidt photography" height="272" src="https://onfilm.photo/content/images/2016/03/michael-schmidt_24574054376_o.jpg" width="400" /> <img alt="Michael Schmidt, Untitled, 2006â10. Courtesy Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt and Galerie Nordenhake Berlin/Stockholm" height="266" src="https://img.theculturetrip.com/768x/images/56-262139-lx4l-cql275zk0vjgfv3n-o1mtgk6igdhntn10w8npo-297umdqrpqsqm6cmpdtwtobylfufbm0-xfgvmwtvtuu.jpg" width="400" /><br />
<img alt="Related image" height="400" src="https://www.mottodistribution.com/shop/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/s/c/schmidt-pic-8.jpg" width="238" />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-15474481225661777482018-05-02T17:28:00.001-05:002020-01-06T09:08:19.897-06:00Jessica Hawkins reviews Axel Hutte<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a>Axel Hutte is german photographer that takes these amazing and mysterious images of landscapes and cities like London and Paris. He uses incredibly long exposure times and constructs them in geometric compositions to create the timeless quality photos. In his landscape work he uses emptiness and avoids any signs of civilization to get the viewer lost in time and space. They are truly magnificent. He currently works in Germany and his photographs are held in museums all over the world.<br />
<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><img alt="Image result for axel hütte photography" height="200" src="https://www.artnet.com/WebServices/images/ll1028493llgNnmCfDrCWQFHPKAD/axel-h%C3%BCtte-imbachhorn,-austria.jpg" width="198" /> <img alt="Image result for axel hütte photography" height="257" src="https://i.pinimg.com/originals/41/cf/b4/41cfb405b78e65100da1170ebb551fd1.jpg" width="320" /><br />
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<img alt="Related image" height="270" src="https://3.bp.blogspot.com/-wJlWQBknYmc/VSOh1ChyAGI/AAAAAAAACEA/sNe_UiEgnac/s400/Axel_Hutte.jpg" width="400" />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0tag:blogger.com,1999:blog-7305457275791291263.post-17392606166894649492018-05-02T17:13:00.001-05:002020-01-06T09:08:20.004-06:00Jessica Hawkins reviews Esther Teichmann<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>Ester Teichmann is an american-german photographer. She grew up in Rhine valley and was influenced by german painters such as Grunewald and Cranach early in her life. Because of this, their strong themes of eroticism, violence, and imaginary landscapes bled into her work now that have prominent objects of nude or semi nude bodies plunged in dark atmospheres that serve the exploration of the origins of desire and its counterpart- loss. Her photographs really dive into this otherworldly and mythological vibe that truly look almost like paintings or dreams.<br />
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<a href="https://www.blogger.com/u/1/blogger.g?blogID=7305457275791291263" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><img alt="Related image" height="296" src="https://www.flowersgallery.com/uploads/artworks/_entryScale/Esther-Teichmann-from-the-series-Mythologies.-Courtesy-of-the-artist-and-Flowers-Gallery-1024x758.jpg" width="400" /><br />
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<br />PhotoUTSAhttp://www.blogger.com/profile/06706754334528813554noreply@blogger.com0