Saturday, September 23, 2017

Anna Brown reviews Mária Švarbová

Maria Svarbova was born in 1988 and currently resides in Slovakia. Inspiration for her fresh, dream-like scenes comes from her interest in Socialist era architecture and public spaces. Svarbova often captures simple, routine behaviors, but she does so with a cool sense of detachment and elegance that demands a response. Her aloof characters embody a sense of mystery, isolation and the human experience. This highly decorated contemporary photographer’s work has secured myriad publications worldwide including features in Vogue, Forbes, and The Guardian.

Of her In the Swimming Pool series Svarbova says, "People fascinate meSpace has no meaning without humans. The same also goes the other way around. Humans have no meaning without spaceThe main focus of my series was to harmonize the humans and space." The series, which began in 2014 is currently still being developed. Despite the retro feel of the images, they also evoke a futuristic quality that feels sterile and almost alien. Each person exists expressionless within the frame, but at the same time activates the space in a way that offers life to an otherwise lifeless, cold place. I was particularly drawn to Svarbova’s work because of my preexisting interest in other Soviet-influenced artists such as Ilya Kabakov, but this series spoke to me through its color palette and the minimal yet poignant moments she is able to capture.







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